Horror Authors Discuss the Most Frightening Stories They've Ever Read
A Renowned Horror Author
A Chilling Tale from Shirley Jackson
I encountered this narrative long ago and it has lingered with me ever since. The named “summer people” happen to be a family from the city, who rent a particular off-grid lakeside house every summer. During this visit, rather than going back home, they decide to prolong their holiday a few more weeks – an action that appears to alarm everyone in the adjacent village. Each repeats a similar vague warning that nobody has remained by the water past the holiday. Even so, they are resolved to remain, and that is the moment situations commence to grow more bizarre. The individual who brings oil won’t sell for them. Not a single person will deliver supplies to the cottage, and when the family try to drive into town, the car fails to start. A tempest builds, the power in the radio die, and when night comes, “the two old people crowded closely within their rental and waited”. What could be this couple anticipating? What could the residents know? Each occasion I revisit Jackson’s unnerving and influential tale, I recall that the top terror stems from that which remains hidden.
An Acclaimed Writer
Ringing the Changes by a noted author
In this short story two people travel to an ordinary coastal village in which chimes sound constantly, a constant chiming that is irritating and inexplicable. The initial very scary scene happens after dark, as they choose to walk around and they fail to see the ocean. The beach is there, there is the odor of rotting fish and brine, there are waves, but the water is a ghost, or something else and more dreadful. It’s just deeply malevolent and each occasion I go to the shore at night I remember this narrative that destroyed the ocean after dark for me – favorably.
The young couple – the wife is youthful, the husband is older – go back to their lodging and find out the reason for the chiming, in a long sequence of enclosed spaces, macabre revelry and mortality and youth intersects with dance of death chaos. It is a disturbing contemplation about longing and deterioration, a pair of individuals maturing in tandem as a couple, the bond and violence and gentleness within wedlock.
Not just the most terrifying, but perhaps among the finest brief tales available, and a personal favourite. I read it in Spanish, in the initial publication of Aickman stories to be published in Argentina in 2011.
A Prominent Novelist
Zombie from Joyce Carol Oates
I read this narrative beside the swimming area in the French countryside recently. Even with the bright weather I felt cold creep within me. I also experienced the thrill of excitement. I was working on my third novel, and I faced a block. I didn’t know if there was an effective approach to write various frightening aspects the story includes. Experiencing this novel, I realized that there was a way.
First printed in the nineties, the story is a bleak exploration through the mind of a criminal, Quentin P, modeled after Jeffrey Dahmer, the murderer who killed and cut apart multiple victims in Milwaukee over a decade. As is well-known, the killer was obsessed with creating a zombie sex slave that would remain by his side and carried out several grisly attempts to do so.
The acts the novel describes are terrible, but similarly terrifying is its mental realism. The protagonist’s awful, fragmented world is plainly told with concise language, details omitted. You is sunk deep caught in his thoughts, forced to observe ideas and deeds that shock. The foreignness of his thinking resembles a physical shock – or being stranded on a barren alien world. Going into this book feels different from reading but a complete immersion. You are absorbed completely.
Daisy Johnson
White Is for Witching by a gifted writer
In my early years, I walked in my sleep and subsequently commenced having night terrors. Once, the horror included a dream during which I was trapped inside a container and, as I roused, I realized that I had ripped a piece from the window, seeking to leave. That house was decaying; when storms came the ground floor corridor flooded, maggots dropped from above into the bedroom, and once a big rodent ascended the window coverings in the bedroom.
When a friend presented me with Helen Oyeyemi’s novel, I had moved out in my childhood residence, but the story regarding the building located on the coastline appeared known to me, homesick as I was. It’s a novel featuring a possessed clamorous, sentimental building and a female character who eats chalk off the rocks. I cherished the story immensely and returned frequently to it, each time discovering {something